j-tock

hanging out at the studio today, we got a very complicated, effort-full way of getting each other from one side of the stage to the other…..it’s all effort, the difference is in how much we allow you to see…. can you force choreography to tell a story, or does the movement just come out and tell you which story it wants you to get out on the table? uuuuuuhhhhh….i’m happy with the progress and the transitions we’re working on, but who is going to be there to carry bridget to the fabric? does this make sense that the manipulated (elizabeth) teams up with the manipulators and then becomes the last one? i feel like the only constant role is that our roles are constantly changing. sounds about right…..

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About ticktockdance

We are the Pacific Northwest's only post modern aerial circus and dance company, producing the collaborative work of Bridget Gunning, Elizabeth Rose, and Jill Schaffner. We will rock your face off. View all posts by ticktockdance

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